26
Jan 12

Speaking of magic

1.

“If someone asked you to describe the psychological aspects of personhood, what would you say? Chances are, you’d describe things like thought, memory, problem-solving, reasoning, maybe emotion. In other words, you probably list the major headings of a cognitive psychology text-book. In cognitive psychology, we seem to take it for granted that these are, objectively, the primary components of “the mind” (even if you reject a mind/body dualism, you probably accept some notion that there are psychological processes similar to the ones listed above)… In fact, this conception of the mind is heavily influenced by a particular (Western) cultural background… To the extent that you agree that the modern conception of “cognition” is strongly related to the Western, English-speaking view of “the mind”, it is worth asking what cognitive psychology would look like if it had developed in Japan or Russia. Would text-books have chapter headings on the ability to connect with other people (kokoro) or feelings or morality (dusa) instead of on decision-making and memory? This possibility highlights the potential arbitrariness of how we’ve carved up the psychological realm – what we take for objective reality is revealed to be shaped by culture and language.”

- Sabrina Golonka, How Universal Is The Mind?

2.

“Three centuries earlier, the new discipline of physics could not proceed until Isaac Newton appropriated words that were ancient and vague—force, mass, motion, and even time – and gave them new meanings. Newton made these terms into quantities, suitable for use in mathematical formulas. Until then, motion (for example) had been just as soft and inclusive a term as information. For Aristotelians, motion covered a far-flung family of phenomena: a peach ripening, a stone falling, a child growing, a body decaying. That was too rich. Most varieties of motion had to be tossed out before Newton’s laws could apply and the Scientific Revolution could succeed. In the nineteenth century, energy began to undergo a similar transformation: natural philosophers adapted a word meaning vigor or intensity. They mathematicized it, giving energy its fundamental place in the physicists’ view of nature.”

- James Gleick, The Information

3.

“In the eighteenth century and since, Newton came to be thought of as the first and greatest of the modern age of scientists, a rationalist, one who taught us to think on the lines of cold and untinctured reason. I do not see him in this light. I do not think that any one who has pored over the contents of that box which he packed up when he finally left Cambridge in 1696 and which, though partly dispersed, have come down to us, can see him like that. Newton was not the first of the age of reason. He was the last of the magicians, the last of the Babylonians and Sumerians, the last great mind which looked out on the visible and intellectual world with the same eyes as those who began to build our intellectual inheritance rather less than 10,000 years ago.”

- John Maynard Keynes, Newton, the Man


10
Jan 12

Words per minute #27: Bradbury on Acting

Have I said anything I started out to say about being good? God, I don’t know. A stranger is shot in the street, you hardly move to help. But if half an hour before, you spent just ten minutes with the fellow and knew a little about him and his family, you might just jump in front of his killer and try to stop it. Really knowing is good. Not knowing, or refusing to know, is bad, or amoral, at least. You can’t act if you don’t know. Acting without knowing takes you right off the cliff.

Ray Bradbury, Something Wicked This Way Comes


09
Jan 12

Radio Free Djenovici January 2012: To Isla Dorma

Another year, another bitcoin. Two years ago, my brother asked me to put together a mixtape to lull my newly-born nephew to sleep. I did so, and he was prompty lulled. Unfortunately he’s been lulled by the same mixtape for two solid years, which I’m pretty sure is going to turnbob his noggin. Last year, my brother asked me to put together another mixtape, this time for my newly-born niece, and so Radio Free Djenovici for January 2012 is that mixtape: ladies and gentleman, To Isla Dorma.

Tracklist

Nad Dynaem (excerpt), Dakha Brakha, Na Mezhi
Xo, Whim, Po & Emili, Painted
Silver Light (dot tape dot remix), [.que], calm down
Black Wolves, Brynn, The Flux Sound
Harpsong, Scarfface, Let Them Eat Cake
Shimmer, Dauwd, Could It Be / Shimmer (single)
Den Andra Handen, Henrik Jose, Photo Album (single)
Clamantis, M-Pex, iPhado EP
Ghost Transference, Learning Music, An End Like This
Time Has Told Me, Jason Parker Quartet, Five Leaves Left: A Tribute To Nick Drake
Dhun in Raga Mishra Khamaj by Fateh Ali Khan (New Delhi), Human Mirror, India Field Recordings
One More Song, Mayon, So High-So Low
Psychedeliental, Kisszanto, Relax Capsule Volume 1 (Various Artists)


09
Jan 12

Ace Kiss Epsilon

This is who the corporations are telling you is cool,
This is who the corporations are telling you to listen to:
Here’s our end-of-year best-of-lists;
Here’s our coolest journalists
Taking a trip to the coolest city in the world
With people who aren’t like you or me.
Or maybe they’re just like you and me -
How would you know?

This is who the corporations are telling you is cool.
This feature article is trying to tell you something:
This spontaneous photo opportunity just happened!
You could have been there, and you weren’t.

Are the corporations telling you I’m cool yet?
Are the corporations telling you to listen to me?
You should listen to me if they tell you,
You might learn something:
You might learn how to be cool.

Poor poor corporations whispering in your ear,
Like that kid at school that nobody liked,
Because deep down the corporations want to be cool.
That’s why they’re telling you who is cool
Because, if you finally believe them,
Then you’ll think they’re cool too.

So it’s karaoke blind dates in Tokyo with -
So it’s urban gardening in Buenos Aires with -
So it’s hacker protests in Tallin with -
So it’s organic microbreweries in Portland with -
So it’s hip-hop quotables in Nairobi with -
So it’s -

Whispering in your ear: am I cool yet?
Am I cool yet? Am I cool yet?
I’m linking your article,
I’m keeping my distance,
Trying to keep my cool.

Am I cool yet?

Postscript: the weirdest thing about this article is how fucking boring that trip sounds.


05
Jan 12

My Year in the Bush of Ghosts

Crossposted at Uncertain Form, which is a blog that you must read if you’re interested in the future of music.

YouTube Preview Image

1. One Year Ago…

I decided to stop being part of the destruc­tion of the old music indus­try and to be part of the con­struc­tion of the new music indus­try. At the time, I wasn’t sure what that meant: hav­ing dis­cov­ered Band­camp, Sound­cloud, Archive.org and Official.fm in the course of shar­ing some lo-fi cut-and-paste tracks that I’d put together over the pre­vi­ous year, I knew that I’d only scratched the sur­face. The more I dug, the more I dis­cov­ered: a range of net­la­bels, the Free Music Archive, free cul­ture blogs, a whole ecosys­tem of cre­ativ­ity that existed in ambigu­ous ten­sion with the com­mer­cial music business.

My place in that ecosys­tem was and remains unclear, at least to me – partly because the old label of “con­sumer” doesn’t seem to fit any more. I lis­ten to a huge amount of free music of all gen­res, and I’m always seek­ing out more, but I haven’t pro­duced any since last year. I started to share a monthly pod­cast (spo­rad­i­cally monthly, but I can always dream…) using only free music, and started a twit­ter hash­tag to share some of the best albums I was lis­ten­ing to (#yourfreemu­sic­to­day, if any­body wants to join the fun). I occa­sion­ally write to artists to thank them, I share spe­cific albums with friends, I write posts like this one – but none of that feels like it’s enough.

The rea­son why it doesn’t feel enough is described Alexan­der Stretton’s post, which fin­ished by say­ing “As con­sumers of the freely dis­trib­uted art we are par­tic­i­pants in the cre­ative com­mons cul­ture and com­mu­nity, but it is time we become active.” The inter­net pro­vided new means of dis­sem­i­nat­ing music, but while that shift has cre­ated new infra­struc­ture for mar­ket­ing and sell­ing, we have not yet man­aged to get away from the ter­ri­ble verb of “con­sum­ing” music. The music busi­ness con­tin­ues to dom­i­nate music – although some­times the price it pays is its own con­tin­ued exis­tence – partly because it con­tin­ues to dom­i­nate a model in which music is “consumed”.

So we reject that old label of con­sumer; we’re not Hun­gry Hip­pos, gulp­ing wildly at any cheap plas­tic mar­ble that the indus­try machine rolls in front of us. Yet it’s not clear what we are in a con­fused and con­fus­ing post-scarcity musi­cal econ­omy, where the tools of pro­duc­tion are in the hands of the work­ers thanks to a tech­no­log­i­cal cul­ture dri­ven by lib­er­tar­ian prin­ci­ples. We don’t want the free music cul­ture to become like poetry cul­ture, where those inter­ested in and sup­port­ing the music are pri­mar­ily the ones pro­duc­ing it, but what other mod­els do we have for participation?

Continue reading →


30
Dec 11

This man is high, this year is done

Dennis Hopper, bless his cotton socks, on the Johnny Cash show. Happy New Year, world.

YouTube Preview Image

30
Dec 11

The Year: Part Three

Come back in time